Age Tinted Bronze

Age Tinted Bronze

For coins that age over time, specifically a wheat penny, what type changes into a blue sort of tint?

Copper, Bronze, Zinc, Steel or other?

Other noticeable colors are like a tan with like a white reflection to it.

Copper and bronze can corrode to give a greenish-blue tint. Zinc will probably become whitish; steel will rust, becoming brownish orange.

Bronze Age Chandelier by Sonneman $1120 Mimicking the appearance of an enclosed fixture, the Sonneman Bronze Age Chandelier actually has a very open feel thanks to its 16 Bronze-tinted, transparent glass panels. Protecting the unique carbon filament bulbs, and yet subtly exposing them, the glass presents a warm, modern look for the transitional space. Sonneman A Way of Light is the namesake of founder and lighting designer Robert Sonneman. It was formed to create contemporary lighting that best exemplifies today's cosmopolitan American style. Sonneman Lighting fixtures are elegant and refined, decidedly modern yet clearly influenced by classic 20th century period styles. The Sonneman Bronze Age Chandelier is available with the following: Details:16 Bronze glass panelsMetal frame and supportsBlack Brass finishSquare hang-straight ceiling canopyOne 6" and three 12" stemsUL ListedLighting: Five 60 Watt 120 Volt Type A19 Medium Base Incandescent lamps (not included). Shipping: This item usually ships within 3 to 5 business days. Dimensions: Shade: Depth 22 In., Height 9.5 In., Width 22 In. Ceiling Canopy: Depth 4.5 In., Width 4.5 In. Fixture: Height 12 In., Depth 24.5 In., Width 24.5 In., Overall Hanging Length Adjustable to 54 In.

Bronze Age 4-Light Flushmount by Sonneman $720 Distinctly different from its peers, the Sonneman Bronze Age 4-Light Flushmount features plates of Bronze-tinted glass that seem to compartmentalize each carbon filament bulb in its own space. The result is a unique, reflecting light that complements the glass while subtly highlighting the bulb's distinct design. Sonneman A Way of Light is the namesake of founder and lighting designer Robert Sonneman. It was formed to create contemporary lighting that best exemplifies today's cosmopolitan American style. Sonneman Lighting fixtures are elegant and refined, decidedly modern yet clearly influenced by classic 20th century period styles. The Sonneman Bronze Age 4-Light Flushmount is available with the following: Details:8 Bronze glass platesMetal supportsBlack Brass finishSquare ceiling canopyMirrored glass on canopyUL ListedLighting: Four 60 Watt 120 Volt Type T10 Medium Base Incandescent lamps (not included). Shipping: This item usually ships within 3 to 5 business days. Dimensions: Fixture: Height 9 In., Width 13 In., Depth 13 In. Shade: Height 7.5 In., Width 12.5 In., Depth 12.5 In. Ceiling Canopy: Depth 10 In., Width 10 In.

The Age of Bronze $49.99 Auguste Rodin The Age of Bronze - Giclee Print

The Bronze Age $49.99 Santo Peranda The Bronze Age - Giclee Print

Bronze Age Linear Suspension by Sonneman $970 Distinctive and welcoming, the Sonneman Bronze Age Linear Suspension presents the warmest light, its unique carbon filament bulbs diffusing light through Bronze-tinted glass panels. An elegant look over the dining room table, or hang over a billiards table for a warm, smoky feel. Sonneman A Way of Light is the namesake of founder and lighting designer Robert Sonneman. It was formed to create contemporary lighting that best exemplifies today's cosmopolitan American style. Sonneman Lighting fixtures are elegant and refined, decidedly modern yet clearly influenced by classic 20th century period styles. The Sonneman Bronze Age Linear Suspension is available with the following: Details:Bronze-tinted glass panelsMetal frame and supportsBlack Brass finishRectangular hang-straight ceiling canopySix 12" and two 6" stemsUL ListedOptions:Number of Lights: 4 Lights, or 6 Lights.Lighting:4 Lights option utilizes four 60 Watt 120 Volt Type A19 Medium Base Incandescent lamps (not included).6 Lights option utilizes six 60 Watt 120 Volt Type A19 Medium Base Incandescent lamps (not included).Shipping: This item usually ships within 3 to 5 business days. Dimensions: 6-Light Option: Width 58.5 In., Height 10 In., Depth 6 In., Overall Hanging Length Adjustable to 52 In. 4-Light Option: Depth 6 In., Width 40 In., Height 10 In., Overall Hanging Length Adjustable to 52 In. 6-Light Ceiling Canopy: Depth 4.5 In., Width 34.5 In. 4-Light Ceiling Canopy: Depth 4.5 In., Width 16 In.

Donatella Amber Tinted Lamp $189 -Amber Tinted Sugar-Spun Glass with Burnished Bronze Metal Details and Gold Highlights.

Bronze Age Carvers $39.99 Bronze Age Carvers - Giclee Print

G.M. COLLIN Mineral Sun Veil Cream SPF 15 Bronze Tinted $23 100% Natural ingredients  Tinted Mineral Sun Veil SPF 15 provides daily environmental UVA-UVB protection with 100% natural mineral filters and 100% natural pigment featuring the new Smart Color Technology. Smart Color Technology is engineered with 100% Natural Iron Oxide, and provides a sheer wash of color that blends in with every skin tone, for a naturally radiant year-round healthy glow. It enhances skin tones and evens out the complexion. Tinted Mineral Sun Veil SPF 15 is formulated with 100% Natural Zinc Oxide, an inert, non-allergenic mineral sunscreen that uniformly blocks out both UVA and UVB rays to greatly reduce sun-related premature skin aging. It is renowned for its well-recognized low risk of irritation and safety.  Leaf extract of Senna Alata and Fumaria Officinalis Extract protect DNA and bio-molecules such as proteins against the negative effects of UV rays, the damage caused by the erosion of the ozone layer, and pollution. The product is complemented by the addition of Natural Vitamin E, an antioxidant, and Excited State Quenchers (ESQTM) that offer enhanced protection against free radicals produced by UV light. This unique product for the face is easy to use, non-greasy, contains no artificial colors, and is fragrance-free. Directions: After your daily G.M. Collin skin care product, apply G.M. COLLIN Mineral Sun Veil SPF 15 onto entire face and neck, and gently massage into the skin. Warning: For external use only. Avoid contact with eyes and eyelids. If contact occurs, rinse eyes thoroughly with water. Discontinue use if signs of irritation or rash appear. If they persist, consult a doctor. Before using on children under six months of age, consult a doctor. Keep out of reach of children. Net Weight: 50 ml/1.7 oz.

The Age of Bronze, c.1877 $49.99 Auguste Rodin The Age of Bronze, c.1877 - Giclee Print

Bronze Age Warrior $49.99 Tauxier Bronze Age Warrior - Giclee Print

European Couple of the Bronze Age $39.99 European Couple of the Bronze Age - Giclee Print

Bronze Age Man and Woman $39.99 Bronze Age Man and Woman - Giclee Print

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Mommagee's Twilight Contest: Rosalie

Making Needles in History

Consider this. The man who invented the wheel was wearing animal skins that had been sewn together with a needle. Maybe it was the needle that had the biggest impact on the future of mankind.

Being able to sew skins together to craft clothing for warmth and protection enabled Stone Age men to remain in northern areas of the globe, thus breaking away from their nomadic existence.

The needle has always been a simple tool. Whether it is made of bone or metal, the concept remains the same - a pointed instrument that pulls a thread through some type of material. The important elements of a needle are a sharp point to poke through material and a hole or hook to carry the thread.

During the Bronze Age, needles were developed that were made from metal instead of the primitive bone or horn. Access to early metal needles was limited by cost, since only gold and bronze were used to manufacture them.

Once iron was developed, manufacturers could make lower cost needles, thus allowing farmers' wives to afford these much-improved tools for sewing.

Records indicate that the Spanish became proficient at making excellent sewing needles, and guarded their secrets well, slowing down the spread of manufacturing to other parts of the world. Eventually, though, the English developed a process that continues to be the high bar for modern needles.

The process and the number of steps required to make a needle - even today - is amazing.

Beginning with a coil of wire, the first step was to cut the wire into 3 inch lengths and then straighten the curve. This seems like it would be simple, yet it required that the wire be heated, pressed and then cooled.

Once cooled, the wire was turned over to a grinder who made points at both ends of the wire. Because this step required a water wheel, early needle makers lived in villages near streams or rivers where they could harness the water for energy to run their water wheels.

As you can imagine, the work of a needle grinder was fairly deadly. Standing over a grindstone breathing particles of jagged steel from the needle and stone dust, these men refused to take any safety precautions since they believed it limited the number of newcomers to the trade. That it did, but it also limited their life expectancy.

Once the points were ground on the ends of the wire, it was taken to the stamping shop where two eyes and two gutters were stamped in the middle, and the eye was punched out.

Using fine wires between the new eyes of the needles, they were separated, the burrs were ground off the ends, and the needles were ready for tempering and finishing.

Tempering was done by heating the needles on trays, then dunking them in oil, making them brittle. Additional slow heating while being turned by hand with hatchet-like tools caused the metal needles to turn colors from pale red to blue and then to a straw color.

When the tempering was right, the heat was removed and the needles were ready for the more finishing.

Needles were felt (yes, by hand) to find small warps. If there were any, the needle was tapped with a small hammer on a tiny anvil to straighten it out. Every day for eight hours a day for 8 days, the needles were rolled in a heavy canvas with oil, soap and emery which made them smooth and shiny.

Then they were dumped into a copper pan filled with soapsuds to be cleaned. Finally, they were rinsed and then dried in a bin of sawdust.

The challenge at that point was to remove the needles from the sawdust, line them up so they were even and then clump them together so they could be sized. After the needles were sorted into various sizes, they were weighed and put into equal-sized bundles, called a "company."

But the process was still not yet complete!

In the final steps, the heads were heated to give them a blue tint and to soften them in order to countersink the eyes. Countersinking was to ensure smoothness so the needle would not shred the thread.

Once the countersinking was complete, skilled grinders once again polished the heads and points of the needles until the desired quality was achieved. Finally, the needles were packaged and sold.

Although completely automated, modern needles are still made from coiled wire, the pieces cut into the length of two needles, and points are ground on both ends of the piece. Two eye shapes are then stamped in the center of the piece, the holes are punched out and the needles are separated.

Modern needles are tempered and frequently electroplated with nickel. Often the eye portion is gilded, creating a kind of gold look.

There are actually about 70 processes that wire goes through to transform it into a needle!

It's amazing what it takes to create a short, straight, pointy thing with a hole in one end.

About the Author

Penny Halgren http://www.TheQuiltingCoach.com Penny is a quilter of more than 26 years who seeks to interest new quilters and provide them with the resources necessary to create beautiful family heirloom quilts while enjoying the history of the craft.

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